A young man is cutting firewood with a buzz saw in New England. Near the end of the day, the boy’s sister announces that it is time for dinner and, out of excitement, the boy accidentally cuts his hand with the saw. He begs his sister not to allow the doctor to amputate the hand but inwardly realizes that he has already lost too much blood to survive. The boy dies while under anesthesia, and everyone goes back to work.
Analysis
Frost uses the method of personification to great effect in this poem. The buzz saw, though technically an inanimate object, is described as a cognizant being, aggressively snarling and rattling as it does its work. When the sister makes the dinner announcement, the saw demonstrates that it has a mind of its own by “leaping” out of the boy’s hand in its excitement. Frost refuses to lay blame for the injury on the boy, who is still a “child at heart.”
In addition to blaming the saw, Frost blames the adults at the scene for not intervening and telling the boy to “call it a day” before the accident occurred. Had the boy received an early excuse from the workday, he would have avoided cutting off his hand and would have been saved from death. Moreover, a mere half-hour break from his job would have allowed the boy to regain part of his childhood, if only for a moment.
Frost’s emphasis on the boy’s passivity and innocence in this situation is particularly significant in the context of the time period. After moving to England with his family, Frost was forced to return to America because of the onset of World War I in 1915, an event that would destroy the lives of many innocent young boys. With that in mind, this poem can be read as a critique of the world events that forced boys to leave their childhoods behind and ultimately be destroyed by circumstances beyond their control.
After the boy’s hand is nearly severed, he is still enough of an adult to realize that he has lost too much blood to survive. He attempts to “keep the life from spilling” from his hand, but even that is only an attempt, since nothing can be done. Above all, though, the boy hopes to maintain his physical dignity in his death, rather than die with a missing hand. Again, Frost channels the horrors already occurring on the battlefields in Europe, where death from enemy shells was automatically devoid of dignity.
By the end of the poem, the narrator no longer has anything to say about the tragedy of the boy’s death. While the first twenty-six lines contain elegant metaphors and descriptions of the scene, the final eight lines are detached and unemotional. The narrator’s “So” and “No more to build on there” reveal that even the narrator is unable to find any explanation for why such a young boy had to die.
In the last line of the poem, the narrator enters a state of complete detachment, almost as if indifference is the only way to cope with the boy’s death. Just as soldiers on the battlefield must ignore the bodies around them and continue to fight, the people of this New England town have nothing to do but move on with their lives.
Ideas for Scholarship
Literary devices
a recommended website
http://literarydevices.net/atmosphere/
Teaching mood and tone
from blog
http://www.creativity2point0.org/2012/10/tone-and-mood-in-literature-moving.html
Teaching Mood and tone
https://youtu.be/jDUhDV-72S0
You tube video created by a teacher on this site
http://hubpages.com/education/Teaching-Tone-and-Mood
Analysing a poem - with connotations, denotation explained and linked to tone
https://youtu.be/6-Z26ffxZawTeachlet on tone and mood - Okayish
https://youtu.be/VwX10tYIkWMAnother video on tone and mood - bit long
https://youtu.be/YcCrsVK5dWsTeaching inferencing using small video Pigeon impossible.
http://www.youtube.com/watch?v=jEjUAnPc2VATeaching mood and tone using video The Passenger
http://www.youtube.com/watch?v=OGW0aQSgyxQ
Close Reading tips
word detective video
http://www.flocabulary.com/context-clues/Something to think about? Wolves back in Yellowstone create a better environment
http://www.youtube.com/watch?v=ysa5OBhXz-Q
SYMBOLS AND SYMBOLISM EXplained
https://www.youtube.com/watch?v=69A6xyXGC-M
https://www.youtube.com/watch?v=bXJUq4kdGAE
RESPONSES
Y10 Speech resource the idea Looks aren't everything
http://www.youtube.com/watch?v=KM4Xe6Dlp0Y
Robert McKee Storytelling diagrams
https://www.flickr.com/photos/24462152@N03/5913206471/in/set-72157627141672846/
Differentiation
Basic video on UDL Universal Design for Learning
http://youtu.be/bDvKnY0g6e4
UbD
Grant Wiggins intro lecture on this
http://youtu.be/4isSHf3SBuQ 1 of 1
http://youtu.be/vgNODvvsgxM 1 of 2 not so good for quick info
Another intro talk
http://youtu.be/6Cagh0H7PPA
Jay Tighe explains s strategy to start
http://youtu.be/d8F1SnWaIfE
Full movie of Lord of the Flies
http://youtu.be/LLggGxwQ4hA
from TES
http://www.tes.co.uk/teaching-resource/Writing-tasks-for-Private-Peaceful-6401056/
Y9
sentence types basics
http://www.tes.co.uk/Download.aspx?storycode=6129710&type=X&id=6276564
http://www.tes.co.uk/Download.aspx?storycode=6129710&type=X&id=6276563
http://www.tes.co.uk/Download.aspx?storycode=6219388&type=X&id=6434391
Y11-13
http://www.tes.co.uk/teaching-resource/Persuasive-writing-6401046/
http://www.tes.co.uk/Download.aspx?storycode=3014298&type=X&id=6807101
http://www.tes.co.uk/Download.aspx?storycode=6292861&type=X&id=6647983
http://www.tes.co.uk/Download.aspx?storycode=6390173&type=X&id=7150187
http://www.tes.co.uk/Download.aspx?storycode=6390173&type=X&id=7150185
http://www.tes.co.uk/Download.aspx?storycode=6390173&type=X&id=7150186
Short story creation
http://www.tes.co.uk/Download.aspx?storycode=6341391&type=X&id=7119420
http://www.tes.co.uk/Download.aspx?storycode=6341391&type=X&id=7119419
week 3 lessons
http://www.tes.co.uk/Download.aspx?storycode=6340520&type=X&id=7160747
http://www.tes.co.uk/Download.aspx?storycode=6340520&type=X&id=7160743
http://www.tes.co.uk/Download.aspx?storycode=6340520&type=X&id=7160745
http://www.tes.co.uk/Download.aspx?storycode=6340520&type=X&id=7160746
http://www.tes.co.uk/Download.aspx?storycode=6340520&type=X&id=7160744
http://www.tes.co.uk/Download.aspx?storycode=6340520&type=X&id=7160742
using analytical vocabulary to assist writing an essay
http://www.tes.co.uk/Download.aspx?storycode=6242722&type=X&id=7031684
Creating visual essays
a) Read the Digital Poem: Hinemoa’s Daughter
http://www.ted.com/talks/hans_rosling_shows_the_best_stats_you_ve_ever_seen.html stats showing health and wealth comparisons and education and wealth with moving bubbles and colour
Literature skills
TED ED videos
How literature can change the world
https://www.youtube.com/watch?v=ctaPAm14L10&feature=player_detailpage
The hero myth
https://www.youtube.com/watch?feature=player_embedded&v=Hhk4N9A0oCA
Metaphors explained Hirschfield
http://ed.ted.com/lessons/jane-hirshfield-the-art-of-the-metaphor
Using picture books to explain literary theory
Videos online that could be useful
http://youtu.be/42E2fAWM6rA You tube video of poem read one way and then the reverse – called The Lost generationhttp://youtu.be/_A-ZVCjfWf8 video re how education ought to be more digital.
https://www.youtube.com/watch?feature=player_embedded&v=8EUy_82IChY What’s invisible animated TED talk
http://www.ted.com/talks/david_gallo_shows_underwater_astonishments.html camouflage of octopus and squid
Use thinglink to create interactive material - see example
http://dl.dropboxusercontent.com/u/8640138/Tutorial/imagenes_interactivas.html
WRITING
http://www.byrdseed.tv/fancy-figurative-language/ video of ideas for gifted kids - use of techniques
Links to poetry pages
www.poetryfoundation.org
"Out, Out" (1916)
A young man is cutting firewood with a buzz saw in New England. Near the end of the day, the boy’s sister announces that it is time for dinner and, out of excitement, the boy accidentally cuts his hand with the saw. He begs his sister not to allow the doctor to amputate the hand but inwardly realizes that he has already lost too much blood to survive. The boy dies while under anesthesia, and everyone goes back to work.Analysis
Frost uses the method of personification to great effect in this poem. The buzz saw, though technically an inanimate object, is described as a cognizant being, aggressively snarling and rattling as it does its work. When the sister makes the dinner announcement, the saw demonstrates that it has a mind of its own by “leaping” out of the boy’s hand in its excitement. Frost refuses to lay blame for the injury on the boy, who is still a “child at heart.”
In addition to blaming the saw, Frost blames the adults at the scene for not intervening and telling the boy to “call it a day” before the accident occurred. Had the boy received an early excuse from the workday, he would have avoided cutting off his hand and would have been saved from death. Moreover, a mere half-hour break from his job would have allowed the boy to regain part of his childhood, if only for a moment.
Frost’s emphasis on the boy’s passivity and innocence in this situation is particularly significant in the context of the time period. After moving to England with his family, Frost was forced to return to America because of the onset of World War I in 1915, an event that would destroy the lives of many innocent young boys. With that in mind, this poem can be read as a critique of the world events that forced boys to leave their childhoods behind and ultimately be destroyed by circumstances beyond their control.
After the boy’s hand is nearly severed, he is still enough of an adult to realize that he has lost too much blood to survive. He attempts to “keep the life from spilling” from his hand, but even that is only an attempt, since nothing can be done. Above all, though, the boy hopes to maintain his physical dignity in his death, rather than die with a missing hand. Again, Frost channels the horrors already occurring on the battlefields in Europe, where death from enemy shells was automatically devoid of dignity.
By the end of the poem, the narrator no longer has anything to say about the tragedy of the boy’s death. While the first twenty-six lines contain elegant metaphors and descriptions of the scene, the final eight lines are detached and unemotional. The narrator’s “So” and “No more to build on there” reveal that even the narrator is unable to find any explanation for why such a young boy had to die.
In the last line of the poem, the narrator enters a state of complete detachment, almost as if indifference is the only way to cope with the boy’s death. Just as soldiers on the battlefield must ignore the bodies around them and continue to fight, the people of this New England town have nothing to do but move on with their lives.
The Lily Myers poem and video on Poetry Genius
http://poetry.rapgenius.com/Lily-myers-shrinking-women-annotated#note-2632927
You tube presentation
http://www.youtube.com/watch?v=zQucWXWXp3k
Thesis video
www.youtube.com/jjohnsonnwc
Making Connections explanatory video
<iframe width="560" height="315" src="https://www.youtube.com/embed/bO9CEsqSkAk" frameborder="0" allowfullscreen></iframe>
Tim Minchin's speech to gradutates
http://www.timminchin.com/2013/09/25/occasional-address/